31 January, 2013

Super Music Producers versus Upcoming Producers !

By Magalie Hair


During the early 2000's, the music business, principally the communities of hiphop and also rnb, noticed the emanation of what we call the "super music producers", accounting for frontrunners: Dr. Dre, Timbaland, Rodney Jerkins or even The Neptunes.

What is considered a "super producer"? So, the most suitable description of their distinction with a "simple" producer will certainly take on the example of what we call a "supermodel" in fashion, comparable to Cindy Crawford, Claudia Schiffer or even Naomi Campbell. You know these prominent models as well as everybody else and you can see all of them on all of the catwalks. To be brief: safe values.

This has been the same in the music industry: there had been "big" producers, safe values, that directed completely the projects and were requested by the most renowned singers and also rappers. That was always more safe for record labels to get a popular music producer compared to a beginner. The famous producer composed a many of triumphant singles, in theory. For the reason right at that time in most cases big music producers sold cd.

But, the music business, after the beginning of the decade has changed. Firstly, consumers don't actually pay for disc anymore.

For this reason the record companies invest lot less money for a project. And obviously, record companies are no longer wishing to invest between $ 100 000 to $ 300 000 for just one single beat, as was the situation in the time of the golden time period of music producers. The disks tend to not sell and web starts to develop. To do something about not legal downloading of their artists, record companies create or merge with with statutory download applications and want to push their existence on this online scene, that has been escaping their control for so long.

But the improvement of the web has allowed the growth of a lot of not known producers as good as, if not better than, "Super Producers".

A lot of these producers have paying attention to the growth of the Internet, which has enabled these to sell their beats online. Helping them to communicate and work with singers or rappers on any nearby scale as well as international one. A producer from New York can also supply beats to someone in Japan. It is now more easier for them to gain a pretty good credibility and have a career. For the artists, this makes a tremendous difference! They can buy beats online in their own home for their album, EP or perhaps mixtape for affordable prices; away from those practiced by the "super producers".

Record companies pay a particular awareness of this brand new market. They buy beats online too. And nowadays we can see that a few of these web producers are getting hired by majors.

The great age of super producers just like the time period of super models goes away slowly but surely, revealing way to this new market driven by producers who, quite often, have next to nothing to envy to the "super producers".




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